Thursday, September 10, 2009

The song that you speak..

If every note is a pitch, so is the word you speak or even the different syllables in the word you speak. Every voice has a natural scale. Depending on moods and expressions it may change. For example, when you are excited u might talk at a higher scale( Its not just a higher note cause all your variations now are with respect to that higher pitch hence it is a scale). So essentially you may say a sentence you speak is a collection of pitches which correspond to some note in some octave. Hence talking expressively is close to singing.

You can actually note down every syllable and its pitch when you speak. Your normal tone might even follow a pattern. :) Major/Minor? A particular ragam? - maybe an overkill ;) The possibilities are endless when you actually think of it this way :)

Singing is just more intellectual speaking. In speaking, you don't care what pitch it is but in singing you need to tune yourself to the specific pitch of the scale first and then produce a sound at the different pitch of the tune. This is as simple as it can get.
There are people who hum along with songs. Some understand tuning to the scale and some understand just the notes of the tune. The knowledge of how to tune, how to lower and higher your voice pitch is all that takes to start singing. Of course after that comes gliding of notes, gamaka for classical and practice. So its never too late to start learning to sing as its just an extension of what you are doing already :)

6 comments:

Shankar Narayan said...

Let me continue this with a bit of logic and some physics ...

1) Pitches on instruments are discrete. (Save my good old sruthi box wherein I still have continuous sruthi variations, I can play any fraction of pitch between C and C#) Pitches of human voices are totally continuous... But some learn to make them discrete. For example, if you listen to a bunch of brahmins reciting vedas in a group, then you will learn that they do have some level of control.

What is control? The basic concept of singing Sa-pa-sa is that the notes of Pa and Sa are nice integral multiples of one other. And that's the reason it sounds so like magic, I mean musical when you meet that integrality condition.

2) Human voices have something very very significant and something totally disorganized ...

But before that - let us answer this question - Why a nadhaswaram and a violin played at the same frequency (i.e. pitch) sound different ?

Sound, in physics is characterized by three quantities - pitch, amplitude and something called timbre - or timber as Americans write it (sadly, I still stick to British spellings while most Indians are making a transition)

This timbre - the quality of sound - Humans learn to control their timbre qualities while they learn to sing. By default, human voices have a very wide range of timbre and hence, when you listen to such voices - it might sound obnoxious. For example, listen to the "nilai varuma" track of "unnaippol oruvan" ... you will be surprised by the amount of control over timbre Bombay Jeyashree has as against Kamal Haasan...

Arrest you timber, and meet the integrality conditions - every word you utter will be like music. You don't even have to sing deliberately. :-)

Abinav Kumar said...

// intellectual speaking?

Try some other adjective... :)

Nice thought though.

Harini said...

I actually heard this last night! I was on a webex audio conf and it was breaking totally. The lady's voice came in pauses as a note :) Her range was from ni1 below sa to ma2! Looks like we can make a song out of a non-performing audio conf ;)

jayanth said...

Keep going

sai... comfortably dumb said...

on a related note (pun intended) http://www.worldsciencefestival.com/video/notes-neurons-full
check out part 2 if u dnt have time for everything

Colorless said...

Mac, it is pleasure reading your blogs. I did after a long time. Cheers

-Raghav